It’s been a little while since the hype years of Grizzly Bear. I remember, back in 2005 or 2006, when the Brooklyn-based band were filling the city’s mid-size venues with excited indie rock fans who appreciated their mix of subtile rock music, original arrangements (largely due to multi-instrumentist Chris Taylor who would play the flute, keyboards, bass and whatever else he could put his hands on) and beautiful vocal harmonies.

Almost a decade later, the quartet hasn’t lost their touch: their new album “Painted Ruins” just came out on August 18, 2017, on RCA Records and reaches some of the same peaks. (read our review of “Painted Ruins” here)

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